These are strong heterosexual men, damnit. Ann Althouse discovers something terribly curious about Brokeback Mountain's Oscar campaign.
Notice anything? How about this one? And most absurdly. Here's the whole set of Oscar ads. Compare those to the original movie poster.
Gay cowboys? I don't know anything about gay cowboys. Have you heard anything about gay cowboys? Of course not. Don't be silly. These are obviously family men in a movie about a lapse in judgement. Whiskey may be implicated. Other than that, these cowboys (and actors) estan muy macho. Virile even. They loves them some vagina.
Good lord.
h/t (yet again) Dan, who reads the Internets so I don't have to.
i hear what you're saying but it is true someone can be gay or homo or whatever they are in this movie without the other guy in the room. it doesn't take two men to make a gay man. that said, i hate the poster with the tragic fool from princess diaries. but i love the poster with the very actressy believable one from dawson's creek.
is anyone going to mention jason priestley's gay cowboy turn in tombstone?
Posted by: avi | December 11, 2005 at 04:42 AM
These ads are absolutely baffling to me. The movie is about one particular couple... Jack and Ennis. The others (Jack and his wife, Ennis and his wife) are subordinate... almost incidental. Why show the incidental couples on the poster? Even the Academy doesn't usually shy away from this stuff. Weird.
Posted by: John S. | December 11, 2005 at 10:18 AM
I agree with John S. I figured the Academy and all the voters out there would just absolutely adore the gays. Odd.
Posted by: Chad | December 11, 2005 at 10:27 AM
Wait, this movie is about gays?
Posted by: Malcontent | December 11, 2005 at 12:17 PM
I dunno. Maybe it's supposed to be kitschy? And I would so go straight for Jake.
Posted by: Mary | December 11, 2005 at 02:38 PM
Maybe -- I'm trying to put forth the best spin -- the filmmakers are trying to reach a broader audience (pun intended).
Initial reaction by gays and women were extremely positive, but some "straight" men apparently were besides themselves. At least one occasion required police intervention. Silly? Of course. I understand why "straight" men don't have a problem with lesbianism, but do have a problem with gay men (hint: up the ass; contamination).
But nothing I've read or seen suggests that the intimacy portrayed includes THAT aspect of lovemaking. At most, well . . . it's not porno, for gawd's sake. But apparently the distributors wanted to take some of the "edge" off to make it more palatable to mixed audiences. Frankly, I find this more than silly. But then, I'm also gay.
Posted by: Stephen | December 11, 2005 at 05:05 PM
C'mon guys, take some credit: they just read Malc's 'Why Brokeback will Bomb' post from a few days ago.
Posted by: olivier | December 11, 2005 at 06:25 PM
Actually, the two men's marriages are crucial, central, essential parts of the story, and both of the women's performances are beautiful and important. I don't see why all three pairings of the main characters shouldn't be represented. As if there's a "right" way to promote a commercial movie for a bullshit Hollywood award. Pick your battles, people. Pick your battles.
Posted by: Emerson | December 12, 2005 at 01:59 PM
I can actually believe the argument that the producers are emphasizing the roles of the wives as a way of highlighting the performances by Williams and Hathaway in a bid for supporting nominations. Williams, from what I've heard, seems very much deserving of one.
But, the Jake with Anne and child pic is really a bit much, and the absence of any and all gay references in the Oscar advertisements does seem more than a little strange.
Posted by: Robbie | December 12, 2005 at 08:29 PM
The NY Times nailed it when it said Heath Ledger's performance matches anything Marlon Brando or Sean Penn have ever done ...
Posted by: Kenneth | December 13, 2005 at 12:16 AM